In New York City, where history meets opulence on nearly every corner of the Upper East Side, a townhouse on East 64th Street stands as an enduring monument to the city’s architectural legacy. Known as the Symphony Townhouse, this residence at 163 East 64th Street opens a door to Manhattan’s past while showcasing the luxuries of today. More than a home, it’s a symbol of an era when townhouses became synonymous with New York’s social elite—spaces that were grand, private, and almost aspirational in their exclusivity.

The townhouse was originally crafted in 1872 by the Victorian architect John Prague, then reimagined in the Neo-Georgian style by R.D. Graham—a transformation that preserved its original grandeur while introducing the architectural flourishes of a changing city. These historical homes captured public fascination in the 1970s when 24-year-old writer Charles Lockwood published Bricks and Brownstone: The New York Row House 1783–1929. Lockwood’s work, the first comprehensive exploration of New York’s beloved row houses and townhouses, coincided with the rise of historic preservation efforts across Manhattan and revived interest in restoring the city’s architectural heritage.

This wave of renewed appreciation for brownstones and townhouses like the Symphony was part of a broader cultural moment, spurred by the newly established New York City Landmarks Preservation Commission and New York Landmarks Conservancy. Together, these groups worked to safeguard buildings that could otherwise be lost to urban redevelopment, and now the city’s historical homes, like the Symphony Townhouse, are in greater demand than ever.

Walking past its meticulously restored red clay brick facade—a project entrusted to artisans who worked on The Cathedral Church of St. John the Divine—the townhouse seems to invite passersby to imagine its storied past. Beyond the impressive 20-foot-wide entrance, the townhouse unfolds across 8,000 square feet and five levels, each crafted to preserve its Victorian soul while embracing the comforts of modern luxury.

Inside, the Symphony Townhouse transports its guests back in time, with 15 rooms marked by architectural splendor. The grand foyer, with hand-painted wall coverings and wood-paneled walls, leads into a parlor floor where Versailles wood floors and 13.5-foot ceilings accentuate the townhouse’s stately proportions. An original English pine library dating back to 1872, illuminated by an early 19th-century bronze chandelier, calls to mind the intellectual salons and literary gatherings of a bygone era. For decades, the townhouse has been home to notable guests and residents, including Bob Hope, Liza Minnelli, and Alan Thicke, whose presence has added to its cultural mystique.

In fact, The Symphony Townhouse takes its name from owner Kenneth D. Laub, a celebrated composer and real estate developer whose passion for music left an indelible mark on the residence. Known for his iconic orchestrations and songs composed within, Laub infused the townhouse with a legacy that harmonizes history, creativity, and the arts.

The main living spaces continue the homage to the townhouse’s rich history. Custom faux Fragonard murals in the grand living room reflect the artistry of Manhattan’s Frick Museum, while a Belle Epoque walnut bar with a Lalique French crystal ceiling brings a refined European flair. In the dining room, a Provencal tapestry dating back to the 1750s, meticulously restored by the Metropolitan Museum, graces the wall, while French, Venetian, and Russian chandeliers add touches of old-world elegance to each room.

Each floor of the Symphony Townhouse holds new layers of history and design, connected by a grand staircase with custom wrought-iron railings that add a touch of grandeur. The library’s shelves are lined with preserved English pine, a nod to the townhouse’s Victorian origins. A French Country eat-in kitchen, a wine cellar with space for 300 bottles, and eight fireplaces spread across the home add warmth, character, and practicality to the townhouse’s carefully preserved charm.

Ascend to the townhouse’s rooftop, and a rare urban oasis emerges. Bluestone and marble flooring create a tranquil retreat in the heart of Manhattan, where a state-of-the-art snow-melting system ensures year-round enjoyment. Lanterns cast a gentle glow across the deck, illuminating a lighted fountain and seating area with a built-in TV outlet for outdoor entertainment. The rooftop is a true sanctuary—a space designed for both privacy and luxury, providing a view of the city that feels both intimate and exclusive.
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What makes the Symphony Townhouse particularly rare is its status as one of Manhattan’s most photographed properties, blending its historical significance with timeless style. This home tells a story through its design and history, rooted in an era when Manhattan’s townhouses embodied both the aspirations and accomplishments of the city’s elite. The Symphony Townhouse’s return to the market marks more than a sale—it’s an opportunity for a new steward to inherit a piece of New York’s architectural and cultural history, one that continues to resonate in the city’s ever-evolving narrative.

THE SYMPHONY TOWNHOUSE 15 Rooms | 5 Bedrooms | 8.5 Bathrooms | 8,000 Sq ft | 20 Ft Wide | 20 Ft Deep | $15.9M
Video: 163 East 64th Street https://www.youtube.com/watch?v=9nvQqyjU2kE 
To learn more, contact: The Agency:  Mike Biryla or John Antretter. 

Fashion Week has always been about flair, risk, and redefining style boundaries. But in recent years, the buzz surrounding these high-profile events has extended beyond humans and onto their beloved companions. Pets have become fixtures in the fashion world, strutting alongside models in tailored ensembles that range from playful to luxurious. From the spectacle of Harrods’ “pet-a-porter” shows to Anthony Rubio’s intricate designs adorned with semi-precious stones and tailored for everything from Pomeranians to Great Danes, the pet fashion scene has firmly established itself in the style canon.

However, as the world of pet fashion reaches new heights, there’s a broader conversation brewing among pet owners. While a sequined harness or a chic bowtie might turn heads at a party, what pet lovers increasingly seek is not just glamour but substance—resources that go beyond the runway. With the pet industry projected to reach over $123 billion in the U.S. alone, it’s clear that pets are more than just a trend; they’re family.

It’s in this context that ThePetMag is stepping in to fill a vital gap. Launching in January 2025, this publication will aim to address what matters most to today’s pet owners: practical, reliable content that enhances their pets’ quality of life. Unlike the designer-focused, glossy spreads that often make headlines, ThePetMag will cater to the everyday needs of pet owners, offering everything from expert advice on pet health and nutrition to at-home care tips and engaging stories.

ThePetMag has its roots in TheHomeMag, a household name in home improvement content for over two decades. Leveraging this legacy of trust, ThePetMag is positioned to extend that same level of dependable information to pet owners. Initially distributed as an insert reaching 100,000 of TheHomeMag’s most engaged readers, the publication will evolve into a standalone magazine, promising thoughtful content that goes beyond superficial trends. The American Pet Products Association (APPA) endorsement of ThePetMag underscores this commitment to informed, responsible pet care.

President & COO Tom Bohn encapsulates the heart of this new venture: “The launch of ThePetMag was a significant milestone. We understand that pets are truly the heart of the home. Expanding into the pet space allows us to reach a passionate community of pet lovers and provide valuable content.”

As Fashion Week events across the globe continue to spotlight pets in all their stylish glory, the pet industry itself is reflecting this cultural shift. Millennial and Gen Z pet owners, who make up a significant portion of this market, have moved beyond simply owning pets—they want to integrate them into a lifestyle that prioritizes health, happiness, and family connection. 

The emergence of pet-focused publications reflects a broader trend: while pet fashion will always have its glitzy side, the real heartbeat of pet ownership lies in the everyday moments. Whether it’s finding the right diet for a high-energy pup, learning the nuances of training, or simply understanding how to keep a pet happy and healthy, ThePetMag aims to be that go-to resource.

So, while the runways will continue to showcase playful pet couture, a trusted magazine soon arrives to help pet owners create a fulfilling, joyful life for their pets—one that goes beyond appearances and celebrates the heart of what it means to be furry.
 

Historic Symphony Townhouse in NYC Lists for $15.995 Million
15 Rooms | 5 Bedrooms | 8.5 Bathrooms | 8,000 Sq ft | 20 Ft Wide | 20 Ft Deep 

A distinguished piece of Manhattan’s architectural legacy, the Symphony Townhouse at 163 East 64th Street, is now on the market with an asking price of $15.995 million. Nestled in Lenox Hill, this 8,000-square-foot Neo-Georgian masterpiece offers 15 luxurious rooms, 5 bedrooms, and 8.5 bathrooms across a 20-foot-wide, 90-foot-deep footprint. Originally designed in 1872 by renowned architect John Prague and later reimagined by R.D. Graham, the Symphony Townhouse has been recognized for its architectural significance and recommended for national landmark status.

Represented exclusively by Mike Biryla, John Antretter, and Gabriella Michin of The Agency, this estate combines historical grandeur with contemporary luxury. The townhouse’s iconic red clay brick facade was meticulously restored by artisans from The Cathedral Church of St. John the Divine, maintaining the property’s legacy of craftsmanship. Inside, the home unveils a rare blend of period details and modern amenities, including an original English pine library from 1872, eight fireplaces, and a private elevator.

The 2,008-square-foot lot is further enhanced by a bespoke rooftop garden with bluestone and marble flooring, a state-of-the-art snow-melting system, a lighted fountain, and a TV outlet, creating an all-season urban oasis. Interiors feature intricate design elements, including a Belle Epoque bar with a Lalique crystal ceiling, hand-painted wall coverings in the grand foyer, and a dining room illuminated by a restored Provencal tapestry from the 1750s.

Adding to the grandeur, the parlor floor boasts 13.5-foot ceilings, original pine paneling, and four chandeliers from the 18th and 19th centuries, showcasing French, Venetian, and Russian influences. A grand staircase leads to additional levels, where custom faux Fragonards echo the artistry of the Frick Museum, paying homage to the home’s historic roots.

As one of Manhattan’s most photographed properties, this storied residence has welcomed notable guests, including Bob Hope, Liza Minnelli, and Alan Thicke, becoming synonymous with NYC’s elite cultural and real estate circles. The Symphony Townhouse’s availability marks a unique opportunity for collectors and aficionados of historic New York architecture to acquire a truly remarkable property.

Noted for its opulence and unique design by Ronald Bricke, the Symphony Townhouse’s features include a Stephen Pusey-commissioned woodwork barroom floor, an atrium with a Lalique glass ceiling, and an impressive five-room parlor floor with original pine wood paneling from its initial construction. In addition to the custom bar, the house boasts a French Country eat-in kitchen, a 300-bottle wine cellar, and an elevator that connects all floors, including access to the lavish rooftop garden.

Distinguished and bespoke details throughout, such as a stunning raked limestone and red clay brick facade and approximately 1,325 square feet of unused air rights, make this townhouse poised for the next generation to create a forever home. This exquisite Neo-Georgian Townhouse offers timeless elegance, magnificent living spaces, haute craftsmanship, and the safety and privacy only a townhouse can offer.

Read Mansion Global story here https://www.mansionglobal.com/articles/a-19th-century-townhouse-with-bridgerton-vibesbut-its-in-manhattan-08f9a1ad
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Video: 163 East 64th Street https://www.youtube.com/watch?v=9nvQqyjU2kE

For inquiries and viewing arrangements, contact The Agency’s representatives.

Broker Contact for Viewing:

The Agency
Mike Biryla | M: 646.496.2174 | E: [email protected]
John Antretter | M: 212.658.0570 | E: [email protected]
Gabriella Michin | Available upon request

Press Contact:
Adam Nelson
Founder & CEO, WORKHOUSE
O: +1 212.645.8006
E: [email protected]

Corporate America Today Names Workhouse as Best Public Relations & Communications Business of 2024 – United States
Corporate America Today is proud to announce the winners of the 2024 Annual Awards, honoring excellence across the U.S. business sector. With an expansive subscriber base of 427,554 industry leaders, Corporate America Today has established itself as a publication of choice for CEOs, CFOs, partners, and directors who shape North American markets.

This year, WORKHOUSE, a premier public relations and communications agency headquartered in New York City, has been recognized as the Best U.S Public Relations & Communications Business of 2024. The agency’s consistent innovation and outstanding performance have also secured its position as a “Top 100 Public Relations Firm” across leading sectors. Additional honors in 2024 include the MarCom Career Achievement Award, Netty Lifetime Achievement Award, Hermes Creative Achievement Award, Communicator Award for Social Impact, and the Best in Biz “Marketing Executive of the Year” for WORKHOUSE Founder & CEO Adam Nelson.

“As WORKHOUSE marks its 25th year, this honor resonates deeply with the journey we’ve taken—championing bold ideas, reshaping the conversation, and setting a new standard in creative communications,” said Adam Nelson, Founder & CEO of WORKHOUSE. “This recognition is a tribute to our clients who’ve trusted us to transform ambition into impact, and to our team’s relentless drive to turn vision into reality.”
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WORKHOUSE stands among the nation’s most dynamic public relations and integrated creative agencies, delivering forward-thinking PR, brand promotion, social media strategy, and modern marketing for 25 years. Clients have included The Rolling Stones, The Charlie Chaplin Estate, Francis Ford Coppola, Lou Reed, Matthew Modine, David LaChapelle, The Anthony Quinn Estate, TheHomeMag, and more. Visit Workhousepr.com

In the midst of holiday films landing on screens this year, Merry Good Enough takes a distinctly different route, bringing something raw and relatable to UK audiences. This isn’t your conventional Christmas story, and with an 11th November release from Kaleidoscope Home Entertainment, it’s set to stand out for its emotional depth and dark humour. Directed by Caroline Keene and Dan Kennedy, and starring Raye Spielberg and Sawyer Spielberg, the film explores the often messy and unvarnished truth of family life during the holidays.

With Kaleidoscope Film Distribution handling international sales, Merry Good Enough is making its way to global audiences after its UK debut. Raye Spielberg, who takes on the role of Lucy Raulie in the film, believes that British audiences, in particular, will appreciate the balance of wit and drama. “I’m thrilled about the UK release,” Raye says. “I believe British audiences will really connect with the film’s dry wit and emotional depth. It’s an honest story, not your typical holiday fluff, and that realism is something I think UK viewers will appreciate.”

The film centres on a dysfunctional family trying to navigate the holiday season after their mother disappears on Christmas Eve. Raye stars as Lucy, the sharp but warm-hearted daughter, while Joel Murray (Mad Men) plays the family’s charismatic but problematic patriarch. Lucy’s relationship with her neighbour Sam, played by Sawyer Spielberg, adds layers of tension and tenderness as the story unfolds, striking a balance between moments of humour and the undercurrent of holiday chaos.

Raye’s connection to the UK runs deep, both personally and creatively. Having spent time performing at the Edinburgh Fringe and soaking up British culture, she feels a natural affinity with the UK audience. “There’s a natural fit here; I’ve spent time in London and even performed at the Edinburgh Fringe, and our writer and co-director Caroline is heavily influenced by UK culture. I think that connection to the region will resonate with audiences,” Spielberg says. “There’s a shared admiration for the storytelling tradition, and I hope British and Irish viewers feel that.”
One of the film’s unique aspects is its departure from typical holiday cheer, instead focusing on the complex, often uncomfortable realities that come with family gatherings. Raye speaks candidly about how the role of Lucy affected her own outlook on the holiday season. “Filming Merry Good Enough was cathartic, and watching it with my family was even more so,” she admits. “The family dynamics in the film are so relatable and universal, yet they hit close to home for me. I found that working on the movie allowed me to approach my own family with more grace and understanding, which has definitely shifted my perspective on the holidays.”
Working with her husband, Sawyer Spielberg, on this project brought its own layer of complexity to the film. Though they were playing characters with their own stories and challenges, Raye reflects on how the process deepened their professional and personal connection. “It’s really special how our characters influence each other throughout the film,” she notes. “There’s a mix of shyness, tension, tenderness, and romance between Sam and Lucy. What I love about acting is the freedom it offers—you’re not burdened by your own identity for a while. So, on set, there wasn’t Sawyer and Raye, only Sam and Lucy. His character brings much-needed perspective to Lucy, helping her let go of some of the pressure she places on her family.”

The film’s approach to holiday traditions and familial expectations will likely resonate strongly with British audiences, who have long embraced a love for films that delve into deeper emotional territory while balancing it with sharp, witty dialogue. As Raye says, Merry Good Enough isn’t trying to be a picture-perfect holiday film—it’s grappling with the very real tensions that can arise when family comes together, for better or worse.
Raye, a New York-based actor, is especially excited about the UK release as it aligns with her passion for the region’s theatre culture. “I have such a deep connection with the UK, and I would work there again in a heartbeat,” she says. “The theatre culture in London and Dublin is so rich, and it’s inspiring to be part of that world. This release feels like a natural extension of my love for UK storytelling.”
As the UK prepares to welcome Merry Good Enough, Raye reflects on the feedback she’s received so far, particularly from early screenings. “From what I’ve heard so far, UK audiences are responding to the film’s honesty and depth. It’s exciting to see how it resonates with people who have a different cultural perspective, and it’s made me appreciate the universal nature of the story even more.”

At the heart of the film is Lucy, a character who Raye describes as tough on the outside but deeply caring beneath the surface. “Lucy has a tough exterior and a biting wit, but underneath, she’s all heart,” Spielberg explains. “The holidays stir up a whirlwind of emotions for her, as they do for many of us. She’s a bit of a Scrooge, but that stems from her capacity to love deeply. She’s not just cynical for the sake of it—she’s grappling with her own fears and expectations.”
Looking ahead, Raye Spielberg is already planning her next creative moves, including a mix of film and theatre projects, both in the UK and the U.S. For now, though, all eyes are on Merry Good Enough as it makes its way into British cinemas, offering a holiday film that’s anything but conventional—honest, humorous, and unafraid to show the messier side of family life.

​True collaboration in fashion often transcends the boundaries of medium and artistry, becoming something more than the sum of its parts. Joy Teiken, the creative force behind Joynoelle, and AMI, a photographer whose work speaks volumes in every frame, are an example of such a partnership. Together, they weave an unspoken narrative where fabric and lens work in harmony, creating a visual dialogue that is both compelling and understated.
 
Teiken’s latest collection is a study in texture and form, born from a deep connection to the human body and its natural elements. “These recent pieces are the beginning of a larger collection where the focus is on the imagery and textures of the human body,” Teiken explains. “Microscopic bone detail, muscle tissue, vein lines, and colors. This exploration is deeply personal, though it may not be seen by others since I’m not being literal—it’s my analysis.”


Teiken’s designs are not ones to follow trends. They’re timeless, immune to the fleeting nature of fashion’s fast-paced cycles. Instead, she focuses on textures and materials that tell their own story, garments that breathe life into the wearer. The green gown, for example, is made from cream and green striped silk taffeta, with stitch-pleating that creates a three-dimensional effect—a visual journey within the fabric itself. The burgundy gown, made of silk decorator fabric, features organic shapes that flow like brushstrokes, sewn onto a black organza slip. It’s these kinds of pieces, meticulously crafted and deliberate in their creation, that define Teiken’s work.
 
“I’m a very tactile person and manipulating fabric is an important aspect of my process,” says Teiken. “For me, it’s about what makes sense visually and in my head. I’m open to the organic process of letting things take shape, stepping away, and thinking critically. This is where I’m happiest.” Her relationship with fabric is personal, bordering on intimate. It’s a dialogue between her hands and the material, a conversation that results in pieces that feel not only wearable but imbued with a sense of emotion and depth.


In walks AMI, the photographer tasked with capturing this depth through her lens. Known for her ability to balance light, texture, and movement, AMI’s style is a natural complement to Teiken’s tactile approach. For this collaboration, the challenge was to bring Teiken’s intricate designs to life without overpowering them. “This shoot was all about balancing the duality of Joy’s designs—one look was airy, delicate, and soft, while the other was bold and dark,” AMI explains. “I wanted to showcase that complexity without being overly stylized. My work is about finding that harmony between the designer’s vision and my perspective.”
 
One of the most striking elements of this collaboration is the seamless interaction between the garments and the models. The clothing feels like an extension of the body, fluid and organic, which was no accident. “We wanted the models to feel as if the garments were part of them, not something separate,” AMI says. “It was important that the connection between the body and the fabric was palpable.” AMI’s ability to capture this synergy is part of what makes her work so impactful—the way she plays with light and shadow, bringing out the texture of each garment without losing its softness.


There’s a dreamlike quality to the images AMI creates—models in motion, yet somehow suspended in time. “Fashion photography is often about capturing movement in stillness,” AMI reflects. “I’m always thinking about how to use light and texture to add a sense of motion to still images, and Joy’s pieces lend themselves beautifully to that. The richness of the fabrics, the intricacy of the textures—they almost ask for that kind of treatment.”
 
In one of the standout images, a model wears a black gown made from fringe, sewn vertically over a netted silhouette. AMI plays with light here in a way that makes the fringe shimmer, giving the gown an almost hypnotic quality, as if it’s swaying in a breeze you can’t see. In another, the cream dress with leather bow detail, constructed from shredded cotton, feels soft yet structured, with AMI using delicate lighting to emphasize the contrast between the material’s softness and the sharpness of its design.
 
This collaboration is more than just a fashion shoot—it’s a dialogue between two artists whose work elevates each other’s. For Teiken, seeing her designs through AMI’s lens was revelatory. “It’s always fascinating to see how someone else interprets your work,” Teiken notes. “AMI captured the essence of what I was trying to convey, but she also brought her own layer of meaning to it, which I loved.”
 
For AMI, working with a designer as meticulous and thoughtful as Teiken pushed her creatively. “There’s always this tension between staying true to the designer’s vision and bringing your own perspective as a photographer,” AMI says. “But that’s where the magic happens. In that push and pull, you create something that’s truly collaborative.”
 
Together, Joy Teiken and AMI remind us that fashion is more than just clothing—it’s an experience, an emotion, a story. Their work transcends the transactional nature of fashion photography, moving into the realm of art, where fabric and image merge into a seamless whole. The garments are not just worn; they are lived in, felt, and understood, thanks to the unspoken synergy between a designer and a photographer who, together, are quietly redefining how we see fashion.

 historic celebration is set for this weekend as Edith Renfrow Smith, a remarkable supercentenarian and the first Black female graduate of Grinnell College, returns to her alma mater and the town where she was born. At 110 years old, Renfrow Smith embodies a legacy of perseverance and achievement that inspires generations.
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Renfrow’s journey is particularly noteworthy; at age 99, she was designated a “superager” in a study by Northwestern University for her remarkable memory and longevity. In 2019, at 104, she received an honorary degree from Grinnell College, further solidifying her impact on the academic community. “This dedication is not just about a building that honors Edith Renfrow Smith. As a part of the college's new “civic engagement quad”, it also aims to recognize the injustices of the past and provide a home for planning a more just future. It is a starting place for correcting the decades of oversight, on the part of the campus and community, in recognizing the contributions of African American students, alumni and Grinnell residents” said Monique Shore, a Grinnell College alumni and community member who authored an illustrated biography of the Renfrow story, “No One is Better Than You: Edith Renfrow Smith and the Power of a Mother’s Words”.

The dedication ceremony will take place at the newly constructed residence hall named in her honor, recognizing her groundbreaking contributions to education, her family’s deep roots in the Grinnell community, and her trailblazing path as a woman of color in academia. Attendees will be treated to an extraordinary sight: a series of 10 larger than life wheat paste murals throughout town of historic photos from during her family’s time in Grinnell, approximately 1890-1960. The murals are created in partnership with the Grinnell Area Arts Council, local volunteers, and led by artist Isaac Campbell, whose work has garnered international media coverage from esteemed outlets such as NPR (https://www.npr.org/2022/07/29/1114225672/brittney-griner-americans-wrongfully-detained-bring-our-families-home-campaign), CNN (https://www.cnn.com/2022/07/20/politics/us-detainee-mural-unveiling/index.html), The New York Times (https://www.nytimes.com/2022/12/09/us/politics/griner-blowback.html?action=click&module=RelatedLinks&pgtype=Article), Reuters (https://www.reuters.com/world/us/nearby-white-house-faces-americans-detained-overseas-now-visible-thousands-2022-07-20/), and the Washington Post (https://www.washingtonpost.com/sports/2022/07/20/brittney-griner-mural-washington/).
“Each mural in the exhibition has been prepared and installed by a dedicated group of volunteers and area students - a fitting way to honor the legacy of a woman who has impacted communities across America for 110 years and counting” said Campbell. “It’s an honor to bring awareness to her incredible story and unifying spirit. I can’t wait to see her reaction to the massive murals in the way that so many people in this community see her—as a giant.”

Interested media who wish to attend the event, or schedule a tour and/or interview with artist Issac Campbell are invited to contact Workhouse, CEO, Adam Nelson via [email protected]

Key Highlights:
Date: Friday, September 27th, 2024 - Saturday, September 28th, 2024
Location: Grinnell College, Grinnell Iowa
Special Guests: Edith Renfrow Smith

Art Installation:
Friday, September 27th, 12:00 pm - A monumental mural of young Edith Renfrow Smith and her sisters to be constructed and unveiled during the ceremony. Renfrow’s legacy is a testament to resilience and the pursuit of education. Her story is not just one of personal triumph but also a reflection of the broader narrative of racial and gender equality in America.

Saturday, September 28, 2024
Tour of Renfrow Hall and Mural Sites - 9:30 am - Edith will receive a personal tour of the newly constructed Renfrow and meet artist Isaac Campbell in front of the murals.
Renfrow Hall Dedication, 12:00 pm- The dedication ceremony, with 110 year old Edith in attendance, will take place in front of Renfrow Hall, 1033 Broad Street, Grinnell, Iowa.